Kon Trubkovich’s work is concerned with notions of space and memory visualization. His videos, paintings, and works on paper, often deal with the technological transfer of information, and the inherent visual aspects that occur from disruption, interference, and distortion – lines, blips, anomalies. Video transmissions are garbled, and the two-dimensional work derives from equally abstruse digital stills. Paintings and graphite drawings depicting recorded instants, which may contain recognizable elements or be completely abstract, lack identity and are unclear in content. This work refers to the randomness of analog static, but also illustrates the paradox that exists with the value and exercise of capturing a moment.